淺析曹禺戲劇中女性悲劇的根源 - 畢業(yè)論文

摘   要

曹禺以現(xiàn)實主義創(chuàng)作手法，在其戲劇創(chuàng)作中塑造了許多栩栩如生的女性形象。她們是處于不同階層，有著不同性格的女性，但在她們身上都帶有濃厚的悲劇色彩。個人的不幸反映了時代的不幸。本文試圖以這1女性群體為研究對象，結(jié)合當時的社會環(huán)境與人物的內(nèi)在因素來探析造成那個時代女性悲劇的根源。

關(guān)鍵詞：曹禺；雷雨；日出；原野；女性；悲劇根源

ABSTRACT

CaoYu by the realism creation technique has portrayed many lifelike feminine image in his play. They are the female who in the different social stratum, and has the different disposition, but all have the strong tragedy color on their body. Individual misfortune has reflected misfortune of the time. This article attempted to take this feminine community as the research object, and union social environment and characters intrinsic factor to analyzes the root of the feminine tragedy that time.

Key words: CaoYu; Thunderstorm; Sunrise; Wilderness; Female; The root of tragedy

【淺析曹禺戲劇中女性悲劇的根源 - 畢業(yè)論文】相關(guān)文章：

曹禺雷雨中人物性格形象淺析 畢業(yè)論文04-28

曹禺簡介03-28

《平凡的世界》女性形象淺析05-01

淺析企業(yè)道德失范行為的社會危害與根源04-30

從分裂到和解:黑格爾悲劇美學淺析04-29

曹禺讀后感02-15

城邦與自然的內(nèi)在關(guān)聯(lián)--淺析古希臘自然哲學的思想根源05-02

曹禺《雷雨》讀后感03-05

曹禺的雷雨讀后感02-02

雷雨曹禺讀后感04-24