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畢業(yè)論文-直面生命的真實—《復活》諷刺藝術(shù)論 - 語言文學論文
摘 要
本文從美學方法論的轉(zhuǎn)變開始，以海德格爾的顯隱說為理論基礎(chǔ)，以托爾斯泰的世界觀、宗教意識和人性意識為背景，詳細地分析《復活》諷刺藝術(shù)中所包含的生命的真實。本文以為，《復活》優(yōu)秀的諷刺藝術(shù)不僅僅體現(xiàn)在藝術(shù)家對當時俄國腐敗社會現(xiàn)實強烈的諷刺上面，在更高層次上，這種諷刺藝術(shù)體現(xiàn)了作家在深刻的社會歷史的觀察之中，對大自然神性所作的對現(xiàn)實世俗人性批判性的諷刺，它其中也包括托爾斯泰對于自我深刻的諷刺。
關(guān)鍵詞：典型說；顯隱說；神性；世俗人性；諷刺藝術(shù)
ABSTRACT
This article from esthetics methodology transformation start, reveals by Heidegger hides said is the rationale, take Tolstois world outlook, religious consciousness and human nature consciousness as the background, in detail analyzes Reactivating to satirize the life reality which in art contains. This article thought that, Reactivating outstanding satire art manifested not merely in the artist to at that time the Russian corrupt society reality intense satire above, in a higher level, this kind of satire art has manifested the writer in during the profound social history observation, did to the nature divine nature to the realistic common custom human nature criticalness satire, it also included Tolstoi regarding the self- profound satire.
Key words: The model said; Reveals hides said; Divine nature; Common custom human nature; Satire art
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